BRIGHTON'S UNDERGROUND TECHNO AND ELECTRONICA RECORD LABEL
TUOMAS RANTANEN - LATE CRETACEOUS PART 2
Release Date: 11/09/20
TUOMAS RANTANEN - LATE CRETACEOUS PART 2
City Wall Records presents Late Creataceous Part 2. The 10th and final studio album by Finnish producer Tuomas Rantanen ́ in his “Prehistoric series”, now totalling 100 tracks all released over 7 years. Previously in the series, Early Cretaceous Part 2 (2019), Early Cretaceous Part 1 (2016), Late Jurassic (2015), Middle Jurassic (2015), Early Jurassic (2015), Late Triassic (2015), Middle Triassic (2014) and Early Triassic (2014).
Tuomas has mastered the art of creating a space where the music lover can be as content listening in their living room as they can be jacking on the dancefloor, a feat few have managed. This perfect medium is achieved because his work is both “mind music” and “body music”.
“Campanian” provides a gentle introduction with obscure tonal clunks amid a steady techno groove, the shift comes in the mid-section with a low range drone motif. Roaring basslines and shimmering rides bring everything to a subtle yet deeply satisfying climax.
“Quaesitosaurus” sinks into the deep, this music is meditation, this music is dance, this music is warmth, this music is life. Feel the parallels between the ancient animalist groans and the religious chants of relative modernity. “Titanoceratops”, want something different? Look no further. Spirals of techno power resonate forth, this is serious dancefloor material, aliens from the future would groove to this with their blue tentacle hair like mini elephant trunks.
“Achelousaurus”, the hectic pummelling intro carries the listener head long into a prolonged intergalactic groaning chant, then, BAMM, back to the thunder. Relentless midrange metal and stone with syncopated flint and fire just deal blow after blow.
“Brachyceratops”, what started as a gentle journey has quickly become an energy vortex that draws ev. re. thing. IN – its magnificently ferocious kick drum, utterly perfect for a trained ear to suck out the low and still leave that whip crack of a mid-kick snap, snap, snap. A thousand other things are happening but they are hard to see right now, they are very hard to see.
“Styracosaurus”, the bridge is crossed, it simply doesn’t get any easier from here, in fact, it gets HARDER. and DEEPER. AND FASTER! If there was an award for best techno album, then this would win it, easily. And the midrange off beat bass that appears just destroys all doubt. Burning, absolutely Burning. Relentlessly BURNING.
“Maastrichtian”, And. It. Does. Not. Stop. Listen carefully and catch the super fine syncopated double stab bass tone, then the call and response organ and percussion jam. So using these vehicles of intricacy, track seven feels like the chance for a “breather” as Rantanen prepares the mind for the final three, three that have already stolen every crown.
“Triceratops”, so come the ethereal voices, like heaven descending, like a scene from Lord of the Rings, like a mist over an ancient lake, this is paradise now. And the tsunamis waves are back. “Bring out the artillery”, they cry, “bring out the machinery”, “bring out Rantanen’s final album”. “Let us stand”, “let us stand in awe at what has been created”. It came forth from the dark shafts of the Scandinavian wilderness.
“Alamosaurus”, no retreat, no surrender, no glory. A somehow delicate yet incredibly powerful low mid click absolutely dominates, giving itself, giving all of itself, giving everything until she comes, like a flying rotating angel, a sorcery, a switch in the dark, a landing of sorts, a searching of kinds, this is magic, this is to be complete.
“Tyrannosaurus Rex”, so the story ends. It ends where there is the familiar for every child, the T-Rex. And yet, this is the most unfamiliar. This is the most scary. Like being on a bucking bronco that is spitting acid and just won’t keep still, yet somehow also like being saved from the tsunami, like being picked up in everlasting arms before the speedy torrent engulfs, everything is different now, out the other side. 100 tracks later, 12 hours on. Recovery now.
Selected DJ Feedback:
CHARLOTTE DE WITTE / DBNR, BBC RADIO 1
LUIGI MADONNA / DRUMCODE
AUDIOJACK / GRUUV, DEFECTED, 2020 VISION, DIYNAMIC
Some great stuff here
ALEXI DELANO / AD LTD, NEW FUTURE SERIES, PLUS 8
Will play some!
ROSS HARPER - SPHERES
Release Date: 11/09/20
ROSS HARPER - SPHERES
SPHERES is the third single to be released from Ross Harper’s forthcoming AMBIENT GIRL album.
SPHERES is a special glimpse into the deep and meditative side to this album.
SPHERES provides the perfect backdrop for allowing the mind to sink into a place of peace and sanctity.
In fact Ross wrote the track with the specific intention of providing a sound that would give rest to those suffering from anxious thoughts and inner stress.
This restful thread can be heard throughout the whole AMBIENT GIRL album.
Early feedback from critics:
"Surreal and dreamy" Magnetic Magazine
"Nice chill out" Faze Magazine
"Like it!" Groove Magazine
AMBIENT GIRL now has her own mini website, CLICK HERE!
ROSS HARPER - WATERY PILLAR
Release Date: 28/08/20
ROSS HARPER - WATERY PILLAR
WATERY PILLAR is the second single to be released in the build up to Ross Harper’s forthcoming AMBIENT GIRL album.
Syncopated melodic tones and uplifting beat structures create a crisp fresh air that is calming yet some how invigorating. The moody bass line has a 80s edge and provides a warm layer of depth.
WATERY PILLAR unfolds another layer of understanding about what Ross Harper’s next album will bring and sets an expectation of something profoundly new.
In fact the music is so different yet somehow compelling, people cannot help but call it “beautiful” or as one critic put it:
“Rather tasty! I have no particular outlet for this but thought it was rather amazing throughout!”
DJ Phil England (The Mansion Project)
And so without wanting to reveal too much more as there is still so much more to share, the only thing to mention for now is the artwork.
The artwork for WATERY PILLAR is the first glimpse of the Ambient Girl, the work is a custom collaboration with award winning contemporary artist Iva Troj.
Iva is a prestigious award-winning contemporary artist whose fine art pieces seamlessly merge Renaissance aesthetics and techniques with postmodern praxis. Troj has exhibited both nationally and internationally and her work is in collections in the UK, France, Ireland, Sweden, Germany, China, United States, South Korea, Australia and Japan.
Troj reflects, "When I was first commissioned to do the album cover piece, I focused on creating something that does more than illustrate the theme of the album. I couldn't have done it without Ross Harper's immense storytelling effort. Sharing his passion has been the key in creating a painting that not only conveys the feeling of the album but also delivers a message of its own."
In time more will be shared about Ross’s stories and the poems that inspired both the music and influenced the artwork.
And it is now possible to “pre-order” the album and canvas prints of the artwork in various sizes and formats over at Bandcamp - CLICK HERE
ROSS HARPER - LOW
Release Date: 31/07/20
ROSS HARPER - LOW REVIEW
Float away on the super airy vibes and drift into the bubbly soft bass, deep cotton wool kick drums that tickle the belly and fill the whole body with light. Tumble slowly into the dreamy dreamy and rest all your troubles. Allow something new to approach, chariots of colour call forth, like a smoke pipe of rainbows soaking all away so only the colour remains, only colours remain.
Low is the signature track from Ross Harper’s forthcoming album and gives a slight glimmer of what the new work has to offer. The album is based on some of Ross’s short stories, which jumpstarted a collaboration with award winning artist Iva Troj and resulted in the creation of a painting based on the album’s main narrative. The image here for Low gives a hint to what will be revealed when the full oil painting is shared.
As part of the album launch it will be possible to purchase a canvas print of the original painting, this way everyone can have the essence of the album in their homes, just like in the 80s fans had cut outs from Smash Hits, and in the 90s it was rave flyers, now Ross is offering something more substantial to his listeners.
Ross’s last album Homecoming was released 7 years ago and supported by Martin Gore of Depeche Mode. Martin played the lead track Pink Boots as part of the pre-record warm up DJ set for the Delta Machine world tour, reaching circa 2 million listeners. Ross has now been underground for 7 years, honing his craft, streamlining his workflow and focusing his talent.
The new album was written with the intention of creating an air of light, a space of freedom and to be an offering for those who are in need of being lifted up.
As album release date has been drawing near Ross has shared some “warm up” EPs and feedback has been generous with his sound being compared to artists such as Jon Hopkins, Robert Miles and Orbital. And yes, echoes of those artists can be heard in his music, but Ross is a producer determined to simply do his own thing.
What the critics are saying...
“sweet and delicate” Deep South Audio
“surreal and dreamy” Magnetic Magazine
“White Isle vibes” CD Pool
DJ support from....Marco Carola, Rafy Nieves, Riva Starr, Anna Luneo, Henri PFR, Erick Morillo, Kryder, Ferry Corsten, Paco Osuna, Vanilla Ace, Neal Mcclelland, Don Diablo, Richie Hawtin, David Guetta + Idris Elba (A+R), Coercio, Evosonic, and Severino DJ
UVEN - MULTIPLAYER INTERNATIONAL
Release Date: 17/07/20
UVEN - MULTIPLAYER INTERNATIONAL (REVIEWS, SUPPORT AND FEATURES)
Every international gigolo must be “cool as ice and pure as snow”. Meet “Multiplayer International”. And that’s exactly what Uven’s music is, “cool as ice and pure as snow” as he returns to City Wall Records with a perfect two track. His last release Black Magic EP found radio play both in Sweden, his country of birth and also here in the UK. Uven is currently based in Berlin, he is a synthesiser and drum machine junkie who in another life operated forklift trucks.
The lead track, Multiplayer International, is just that, with a strong beat from the off, this certainly has dancefloor in mind. Uven implements subtle changes in pitch and timbre along with the clinical use of reverb, which he applies like an expert with a smoothing blade, to present overall polished audio perfection. This is a marching journey toward a climbing arpeggio which is where you may think it ends, but actually this is like being entwined in a living Escher painting, where one arpeggio leads into another, creating falling and elevating staircases of sound. Final score, genius level.
Touch Me To Ecstasy takes us somewhere altogether different, deeper from the first beat, slower and oozing a sublime sexiness, a combination of soothing musical beauty yet with enough edge and bite to keep us on our toes. Every note feels like a remedy, every twist, every turn, is like a doorway to a new self, like looking in a mirror but actually emerging out the other side. If Multiplayer International is full of rising and falling, Touch Me To Ecstasy is full of dreamy layers, like looking at clouds from a high mountain, or studying sedimentary rock formed over millennia.
Multiplayer International and Touch Me To Ecstasy, coupled with the Black Magic EP see Uven establishing a collection of timeless outstanding tapestries, this is music that can be played again and again, both in DJ booths, but equally as standalone productions that have complex structure and deep integrity. Like a young doe by a forest stream that senses something on the horizon, it won’t be long until the likes of Keinemusik and others in Berlin melodic techno, deep house and progressive scene prick up their ears as they become aware that a new master is in their midst.
“Outstanding productions, full support” DJ Time Hines
“Wonderful tracks” Anna Medve
“Both cuts are superb” Mike Solus
“Wow! What a track, love everything about it” Simon Boulind
“Touching on where Kraftwerk left a few places to fill” Neil Brown
“I love Uven. Cool and driving sounds” DJ Leon El Ray
DJ support from Ferry Corsten, Riva Starr, Erick Morillo, David Guetta, Idris Elba, Anna Luneo (Apple Beats 1), Wlady (Sony Music Italy), Nipsy (Pointblank FM), GagaLove (Radio Nova), Colin Spencer (Artefaktor Radio), Bryant Littlejohn (Global Vibes Mixshow), Shmitty (Minimal Sessions), Christos Angelos (ARIA Chart Compiler), Next Music USA, Jay Hill (Hot Creations), The Edge Radioshow, Ben Mabon (Koast Radio), Blueshift, Blubble Wrappe, Julilee (1980 Recordings), DJ Jay Kay, Sagia and Rafy Nieves (Billboard 100 Complier) to name a few!
SOUL ALT DELETE - ENCOUNTER EP
Release Date: 19/06/20
SOUL ALT DELTE - ENCOUNTER EP REVIEW
Hotly tipped newcomer Soul Alt Delete lands his fifth release on City Wall Records. Bringing moody blends of elegant, minimalistic techno with hard-hitting drums and dubby sonics throughout the three tracks.
Title track ‘Encounter’ brings brooding low-end pulses and shimmering ride cymbals with haunting, glitched out vocals across a scape of subtly rhythmic drones. Racing clap fills bring the entrance of a crisp lead synth line that pierces through with bright precision.
‘I Take Charge’ brings breaky feels into the mix, pairing rhythmic chord stabs dowsed in rich layers of delays with a dark, groovy backbone. Tripped out monologue samples phase, floating across this moody, authentic techno groove.
Soul Alt Delete closes the record with ‘How Deep Do You Want It’, where the subterranean tones dive to unchartered depths. Bubbling atmospherics simmer across a rolling 4/4 kick and stacks of bright 909 hi-hats and percussion. The dark dub-techno chords follow, providing haunting harmonies that swirl through their affected delays.
DJ support from Nicole Moudaber, Sister Bliss, Joseph Capriati, Kryder, Neil Moore, Richie Hawtin, Boom Bass, Don Diablo, Anna Luneo, Piem, Graziano Raffa, Coercio, Nuke, Paco Osuna, Riva Starr, Mark Antonio, Evosonic, Danny Tenaglia, Vanilla Ace, Steve Lawler, Severino DJ, Tocadisco, Erick Morillo, Henry PFR, Don Diablo, Maceo Plex, Severino, Reznik, rrotik, Motez, Idris Elba, Gryffin, Oliver Heldens, NGHTMRE, Paco Osuna, OC & Verde, JP Candela, David Scuba, DJ T., Paul Loraine, Ramon Tapia, Kryder, Joyce Muniz, Maxim Lany, Darius Syrossian & Mihalis Safras, John Digweed, Marco Carola, Tocadisco, Paul Darey, BOg and Carl Craig
ROSS HARPER - DRONE PEAK
Release Date: 05/06/20
ROSS HARPER - DRONE PEAK REVIEW
As the momentum gathers towards Ross Harper’s album launch later this year, here is something a little bit reckless. Now it is time to “mainline” some pure 90s London rave energy, this really is ecstasy music.
Ross was there back then, Ross felt it all unfold, Carl Cox playing techno to 100 people in Islington, Richie Hawtin playing to a few hundred people in a London warehouse. Ross was there before it all got a bit silly.
But Ross didn’t get silly, no, Ross got serious and invested his energy into going deep into underground experimental music production. And so now you can feel it too, what Ross felt, you can feel, what Ross still feels, you can feel, here in Ross’s music. Welcome to the heart of his techno music.
Track 1 - Drone Peak
This is a compositionally advanced track. Drone Peak implements a set of drone motifs all of which were extracted from the same original synthesis source. As you go deeper into this track it will become obvious that as the intensity grows, the final section is where the track name is derived from, where the feeling reaches “drone peak”.
Track 2 – Machine Talk
Pure power. Pure raw underground power. Turn this up loud and hear the thunder, like the sky “cracking”, the galloping techno bass line just dominates. Throughout can be heard the distorted gristle of “Thermo Nuclear Power”, repeated over and over, and coupled with the insipid twisted metal tone loop, yes, this track is very intense music.
Track 3 – Soul Bleed Carousel
Soul Bleed Carousel feels a bit like being trapped in a beautiful seaside attraction, except this one seems to have alien landing gear attached. And maybe the wonderfully decorated ornate looking wooden carousel horses even have eyes that glow a kind of sinister evil red. Oh, and watch out for that weird low bass hummm!
Track 4 – Replication
Slow down with Ross and explore some reflection with deep purpose, what are those feelings within? Where do they come from? What do they mean? With Ross all that is within is trying to be expressed and captured in his music, it’s a bit like a “magic spell”, the unheard becoming the heard, the silence becoming the music.
DJ support from Marco Carola, Maceo Plex, Richie Hawtin, Kryder, Anthony Pappa, Evosonic, Erick Morillo and Pico Osuna to name just a few.
NELMAN - INDUSTRY
NELMAN - “Industry”
(release date - 15/05/20)
Nelman first featured on City Wall Records back in March 2011 with his Nukleon release. Label manager Ross Harper knew straight away that this quiet Hungarian producer had a rich talent. This was confirmed when his track Train Yard was picked up by Speedy J and Dave Clarke. The way Nelman caught that 90s techno trance spirit was just perfect for City Wall and now looking back at how Nelman’s production work has evolved is a true testament to what can be achieved with hard work and pure determination. And so here is “Industry”. These four tracks exemplify the sheer creative depth this man has quarried in his life. So deep dive with us again into minimal and gritty industrial techno.
Track 1: “Industry” – Industry is put simply, “real techno music”, there is no “formula” here, this is pure creative gold dust, the neat punchy ball of grit of a kick drum and the quality percussion all sit in the backdrop of noise and mechanical grind. Industry indeed.
Track 2: “Analog Surface” – Continuing the machine theme, repetitive driving percussive elements and heavy tonal compression. The thundering clatter of the deep kick, this all comes together to feel like a cross between the factory floor and an alien spacecraft control room.
Track 3: “Fusion” – Rude. This is rude techno. Unremitting, exploratory, fresh and fearless. Clicks, pops, amplitude incongruence, this just says “stuff it, lets play with noise and have some fun”. Perfect for the experimental DJs among us.
Track 4: “Unless” – The odd one out here, but it is also featured for a good reason. The slower tempo and tonal riff give a slightly minimal tech house feel, yet that strong 4/4 kick means we can’t really call it house, so let’s go with minimal techno. All in all, a genre bending track.
ROSS HARPER - OPEN HEART
ROSS HARPER - “Open Heart”...Release Date: 01/05/20...
“More and more I am sensing that the only thing that matters in my music is “feeling”, technical stuff, musical intelligence, power, strength, depth, quality, all of these are meaningless, the only thing that really matters is to convey a feeling”
Track 1: “Open Heart” - A bright uplifting thumper with a super attractive clap that just cuts through the mix. The simple but spell blindingly powerful percussion draw your attention in closer and closer to the beautiful, beautiful bubbly lead synth, and it is this lead, coupled with the signature Ross chimes that make “Open Heart” a slice of dance floor heaven.
Track 2: “The Sickle” - Inspired by his time at Glastonbury in 2019, Ross was dancing to some techno in field and he felt a deep yearning for the DJ to drop a constant sub bass drone, but it never came, and so the concept for “The Sickle” was born. And it is that feeling of freedom, of dancing in a field to a booming beat, that gave rise to the vocal snippet, “here we live forever”.
Track 3: “Identity Crisis” - Sooo deep, sooo dubby, sooo trippy. People have commented on Ross’s “twinkly sounding” works, saying they want more of it. Well, “Identity Crisis” has it in spades. It’s a sound and a feeling that simply cannot be put into words. It’s something like an alien desert landscape combined with a Neolithic standing stone. Unfamiliar yet somehow “meant to be”, completely separate yet somehow perfectly united.
Track 4: “Japanese Space Age” - All about feeling. A throw back to his time in 90s rave chill out zones but with an exotic oriental twist! “Japanese Space Age” speaks of the past, but is also a signpost to the future, expect more alternative electronica from Ross in the coming months with his new album on the way including artwork from the award winning Iva Troj. Ross’s last album “Homecoming” saw support from none other than Martin Gore of Depeche Mode.
ROSS HARPER - DIVINE
ROSS HARPER - “Divine”...Release Date: 03/04/20...After recent plays on Nemone’s Electric Ladyland on BBC Radio 6 Music and Rob Zile’s Brain Food on Kiss FM Australia, Ross returns with “Divine”. This 4 track EP offers an ethereal slice of deep electronic experimental beauty.
Track 1 – “Divine”...The perfect intro track for any deep house or techno set, uplifting ohhs and ahhs coupled with fairy lights of twinkling goodness. Slap over a tough 4/4 beat, shuffling percussion and a naughty acid line and the result is Divine!
Track 2 – “New Approach”...Wow! Just wow! Ross continues a common theme of his with the use of synthetic heavenly voices but this time the soaring strings and deep techy beats become the centre piece. This track is just soooo dreamy! Be carried away in the arms of the heavenly goddess.
Track 3 – “Come On”...Hard and dark, sinister and disturbing, commanding and pungent. The incessant vocal hook, “Come on”, reminiscent of the Jam and Spoon classic but missing all the love, this “Come on” is far more of a directive or maybe even a demand!
Track 4 – “Experiment”...Jump into Doctor Who’s “TARDIS” and come back with me to mid 90s, old skool trance vibes right here. Ross limited himself to 8 tracks to see what would happen, the result is pure magic!
NELMAN - IN THE JUNGLE
Nelman - In The Jungle... City Wall presents this 4 track single where @gabor.nelman gifts us a variety of leftfield experimental minimal techno tracks all of which would work nicely as DJ tools. Mix 1 plays with distorted kick drums and splattered intermittent percussions, it’s like there is a message but it’s lost in the jungle. Mix 2 starts to pronounce things a little more clearly with a stab riff from the outset, some tonal jabs throughout and some more of those splaying percussive motifs. Mix 3 - now this one I love! Nelman sticks with the jilted juddery percussive minimal techno beats and now throws in this stilted bleep noise riff, truly the message is starting to emerge from the jungle. Mix 4 - things get even more distorted! Where’s that message gone! And that bleep noise riff has mutated into something gritty and screeching, reach for your ear protection!!! Keep the love, words by Ross at City Wall.
UVEN - BLACK MAGIC
Uven – Black Magic (EP)…Out today via most online streaming and download platforms. This release is simply beautiful music! I remember when I first heard the tracks at Uven’s studio, I just had to sit down, close my eyes and remember to breathe. Uven’s background as a drummer, coupled with his studio experience of programming synths just shines through here. The first track on the EP, “The Sad Life of Yours Truly” seems to tell a story which is somewhere between sad and uplifting, a story which is full of mystery from beginning to end. With track 2, “Ugglan” the deep mystery continues with a feeling that is like walking through a misty moorland, sinister yet also comforted. Track 3, “Plotzensee”, ironically, juxtapositioned against the name, this track feels fresh, alive and even zesty! So was it named after the lake or the prison? And finally, track 4, the title track, “Black Magic”, this one is just so sublime! The creeping rising pad, the tantalising arp mini riff, all masterfully conducted with Uven’s subtle variations on pitch, filters and stereo movement, bravo! This one is bound to leave any audience entranced and gently blown away by the sheer grace of the emotive power. Loads of DJ / radio / magazine support already coming in, the list is endless, but I’ll try and name a few… @erickmorillo , @jamiejonesmusic , @richie.fingers , @the_thrillseekers …And below are some of my favourite comments… ...
“Wow! These tracks are so atmospheric and deep, they stop you doing anything else so you can just immerse yourself”
Simon Boulind (Barcelona City FM) ...
“In love with this release!”
Jay Hill (Hot Creations) ...
“A totally fantastic package”
Peter Borg (Mi Soul Radio) ...
“LOVE IT ALL”
Bryant Littlejohn (Global Vibes Mixshow) ...
“Such a great EP!!”
Xaric (Cosmos Radio)
CITY WALL RETROSPECTIVE (PART 1)
I established City Wall Records back in 2008 as I wanted to create a space where artists could release quality original music. Fast forward 12 years and music on City Wall has been played by just about every underground A-list DJ. So in celebration of these many successes I decided it was about time I brought together some of our most well received tracks to present a showcase, hence “City Wall Retrospective” came to be (released today at all good streaming and download platforms). Here’s a few of the headlines about the notable tracks, Tuomas Rantanen’s “Cyprok” – featured as first track after the intro in SNTS’s infamous 2019 Kompass Boiler Room set which is currently sitting at almost 300k views and widely regarded as one of the standout techno sets of recent times. Akkya’s “Enuma Elish” – featured in Ancient Methods 2015 Berlin Boiler Room set, also now at almost 300k views. Ross Harper’s “Pink Boots” – played by Depeche Mode founding member Martin Gore in his pre-record warm up set for the Delta Machine Tour. Nelman’s “Train Yard” – lead track in Dave Clarke’s White Noise Radio Show in September 2012. Ross Harper’s “Walking in the Clouds (South Side remix)” – hammered by Laurent Garnier back in 2008. Tuomas Rantanen’s “Nanyangosaurus” – featured by Charlotte de Witte in her Spotify All Night Playlist October 2019. The compilation also features some of the labels beautiful downtempo and electronica releases, like Dorian Gray’s “Approach” which was used by Sandrien on SLAM radio back in 2014. All in all this Retrospective will give you a wonderful feeling of what City Wall is about. Peace and techno, Ross Harper (Founder, City Wall Records). ...
ROSS HARPER - EMBARGO
Ross Harper - Embargo... Hard industrial tones, rolling rides, a relentless thumping kick encircled by a twisting acidic riff, it feels like it will never rest. Then the breakdown arrives with angel wings, heavenly voices lift the scene and welcome back the industrial madness, this is all love hidden in the techno. But really this is a smashing double A-side with Breathtaking following up where Embargo left off. And SLAM! there it is, like being on a mad horse roller coaster but this ride never stops, rolling, rolling, rolling, the organic home made loops and rhythms are something wild, and coupled with the rising falling rising falling rising falling organ like musical beauty, things get way out of hand. But it is the the cosmic energy of what is delivered in the breakdown that takes this track to another super deep level, this is musica. And yes, there is a B-side for those that want something very deep and very raw, try Ultimate Creation, slap goes the kick bass drop, this energy is cold and cool, like coming out of a sauna into a plunge pool, minimal baby, minimal. And then there is this eerie acid spiral that is like something of the fruit of Genesis, does it ruin it or does it make it better, you decide? Much love, Ross (The Caretaker, City Wall Records).